{"id":825,"date":"2014-10-20T19:14:52","date_gmt":"2014-10-20T19:14:52","guid":{"rendered":"http:\/\/kkdowning.net\/steelmill\/?post_type=albumreviews&p=825"},"modified":"2024-09-06T09:46:34","modified_gmt":"2024-09-06T09:46:34","slug":"whitesnake-good-to-be-bad-spv-2008","status":"publish","type":"post","link":"http:\/\/kkdowning.net\/steelmill\/whitesnake-good-to-be-bad-spv-2008\/","title":{"rendered":"WHITESNAKE – GOOD TO BE BAD (SPV 2008)"},"content":{"rendered":"

[three_fourth]REVIEW BY VILLE KRANNILA \/ SEP 2008<\/strong><\/p>\n

One of the year 2008\u2019s most anxiously awaited efforts: a brand new Whitesnake record; their first proper studio album in almost 20 years. After 13 successful years band leader David Coverdale originally put WS into ice in 1990 and worked briefly both solo and with Jimmy Page before reuniting the band in 1994. The \u201cRestless Heart\u201d album was released three years later but under a moniker of David Coverdale & Whitesnake it was by all intent and purpose singer\u2019s solo disc. Unfortunately it almost disappeared completely because the album is vastly underrated, filled with bluesy atmosphere and excellent melodies. Upon completion of The Last Hurrah world tour in 1998, Whitesnake was again put to rest for another five years before a new line-up emerged in 2003 shooting out for a lengthy world tour. In between nothing much had happened except Coverdale releasing a fine solo album \u201cInto The Light.\u201d Since the latest reunion awesome DVD \u201cLive\u2026In The Still Of The Night\u201d (2005) and double live album \u201cLive\u2026In The Shadow Of The Blues (2006) have seen the light of day. The latter also contained first tasters of new Whitesnake material and results of Coverdale\/Aldrich writing partnership were exciting. \u201cReady To Rock,\u201d \u201cDog\u201d and \u201cIf You Want Me\u201d rocked harder than anything Whitesnake had done since immortal \u201c1987\u201d album and also featured killer hooks and awesome vocals by Coverdale. So expectations for a brand new WS studio disc were rising fast.<\/p>\n

For \u201cGood To Be Bad\u201d the nucleus of 2003 band, guitarists Doug Aldrich and Reb Beach plus keyboard player Timothy Drury remain steadfast and loyal but rhythm section of Tommy Aldridge and Marco Mendoza has changed to relatively unknowns Uriah Duffy on bass and Chris Frazier on drums. All players do their work well here, and that I guess has always been the strength of the band; no matter who handles the instruments the end result is usually great – albeit different.<\/p>\n

Here we have 11 new tunes and a lot to talk about. So here are \u201cGood To Be Bad\u2019s\u201d The Good and The Bad.<\/p>\n

The Good:<\/p>\n

\u201cBest Years\u201d opens the game nicely, this mid-tempo rocker in structure is very close to Coverdale\u2019s \u201cInto The Light\u201d album, only a notch heavier. \u201cCan You Hear The Wind Blow\u201d follows it and makes even better impression, again a sort of cross between old WS and new, more polished sound.<\/p>\n

The best song on the album is without question \u201cLay Down Your Love\u201d – a classic WS stomper that comes closest to \u201c1987\u201d in its scope and delivery.<\/p>\n

\u201cAll Your Love\u201d reminds me of Thin Lizzy with its delightful guitar harmonies and also Whitesnake\u2019s own \u201cGuilty Of Love\u201d from 1984\u2019s \u201cSlide It In.\u201d A sting is left in the end with atmospheric \u201cTill The End Of Time,\u201d David sings with passion and notes occasionally give a nod to Led Zeppelin\u2019s \u201cKashmir\u201d just like \u201cStill Of The Night\u201d did over 20 years ago. This is a great ending for the album.<\/p>\n

Overall DC sounds as great as ever and his lyrics are simply classic, double entendres again all over the place. Production is sharp and crispy, as it should be. Like I already mentioned individual players all deliver their parts with professionalism; guitarists Doug Aldrich (who has co-penned the whole album with Coverdale) and Reb Beach lay down killer solos one after another but don\u2019t overshadow the concept, and at the same time remain faithful to the core WS sound.<\/p>\n

The Bad:<\/p>\n

Taken as a whole I find the song writing lacking that extra punch. Don\u2019t get me wrong these are all nice rock songs, but those expecting something as instant as \u201cHere I Go Again\u201d or \u201cFool For Your Loving\u201d won\u2019t find it here. Personally I could have hoped for more tracks akin \u201cCrying In The Rain\u201d or \u201cDon\u2019t Break My Heart Again\u201d \u2013 if nothing else those two are my favourites and really capture the essence of Whitesnake. What is obvious is that while the band is different (more on that later) also Coverdale\u2019s writing has changed during the last 15 years. There are plenty of references to Coverdale\/Page era, \u201cRestless Heart\u201d and especially David\u2019s solo effort, but very little of anything that took place before those. This of course is only natural and you shouldn\u2019t try to recreate the past just for the sake of it. But you could and should focus on writing great songs that were there on all those albums. And it is interesting the best moments on \u201cGood To Be Bad\u201d are exactly those with hints to 1980\u2019s glory days.<\/p>\n

\u201cSummer Rain\u201d I find somewhat bland, the full acoustic version on the bonus disc is more pleasing to my ears. \u201cA Fool In Love\u201d is as much Coverdale\/Page, retro-Zeppelin as you could get. Not a bad song by all means but there\u2019s nothing particularly exciting here, or nothing already superiorly done by Mr. Jimmy Page.<\/p>\n

Lifting the guitar riff of AC\/DC\u2019s immortal \u201cLet There Be Rock\u201d and recycling it for \u201cGot What You Need\u201d might raise some eyebrows as well. The song isn\u2019t one of the highlights so it\u2019s not worth to fuss too much over it.<\/p>\n

The sound in places seems to be almost straining for the old days. Now many people underestimate the influence the whole group had on classic Whitesnake circa 1978-1984 sound. It never was a full David Coverdale solo show, the guitars and vocals of Bernie Marsden and Micky Moody had a huge impact. And Jon Lord, Ian Paice and Neil Murray didn\u2019t fare any less. Without those guys it is simply impossible to generate the same feeling \u2013 and I strongly feel they shouldn\u2019t even try. It is almost selling the current Snake short; Aldrich and Beach are both extremely skilful players with a back catalogue to die for and excellent song writers as well. Like John Sykes with \u201c1987,\u201d they have the talent to push the boundaries of the band towards new directions. Why this option hasn\u2019t been picked up is somewhat surprising, especially after the 2006 studio cuts were so promising. Plus there\u2019s nothing here that rocks as hard as those three songs from \u201cLive..In The Shadow Of The Blues.\u201d Not a bad thing by itself, but personally I really liked that particular direction and none of the songs on \u201cGood To Be Bad\u201d IMO are as well written as those either.<\/p>\n

Bottomline: this isn\u2019t meant to come across as negative review. Personally I think it\u2019s great Whitesnake continues to make albums and create music such as this, rare treat these days. And maybe I\u2019m being way too harsh here; some make a good case on why you shouldn\u2019t even compare these new albums with the classics recorded 20 or 30 years ago. In that light it is obvious they have a hard time standing up. But then again, what else can you compare it to? And surely with the talent involved, the same standards given to others cannot apply either. But the truth remains, judged on its own terms \u201cGood To Be Bad\u201d is a fine heavy rock album, but by the terms of Whitesnake it falls a bit short.<\/p>\n

The album is also available as special edition with bonus CD featuring a radio edit of \u201cAll I Want, All I Need,\u201d acoustic version of \u201cSummer Rain,\u201d \u201cReady To Rock\u201d video and live cut of \u201cTake Me With You,\u201d poster and stickers.<\/p>\n

\"3k\"<\/a><\/p>\n

[\/three_fourth]<\/p>\n

[one_fourth_last]<\/p>\n

\"wsnake\"<\/a><\/p>\n

1. Best Years
\n2. Can You Hear The Wind Blow
\n3. Call On Me
\n4. All I Want, All I Need
\n5. Good To Be Bad
\n6. All For Love
\n7. Summer Rain
\n8. Lay Down Your Love
\n9. A Fool In Love
\n10. Got What You Need
\n11. Till The End Of Time<\/p>\n

[\/one_fourth_last]<\/p>\n","protected":false},"excerpt":{"rendered":"

One of the year 2008\u2019s most anxiously awaited efforts: a brand new Whitesnake record; their first proper studio album in almost 20 years. After 13 successful years band leader David Coverdale originally put WS into ice in 1990 and worked briefly both solo and with Jimmy Page before reuniting the band in 1994. The \u201cRestless Heart\u201d album was released three years later but under a moniker of David Coverdale & Whitesnake it was by all intent and purpose singer\u2019s solo disc. Unfortunately it almost disappeared completely because the album is vastly underrated, filled with bluesy atmosphere and excellent melodies. Upon completion of The Last Hurrah world tour in 1998, Whitesnake was again put to rest for another five years before a new line-up emerged in 2003 shooting out for a lengthy world tour. In between nothing much had happened except Coverdale releasing a fine solo album \u201cInto The Light.\u201d Since the latest reunion awesome DVD \u201cLive\u2026In The Still Of The Night\u201d (2005) and double live album \u201cLive\u2026In The Shadow Of The Blues (2006) have seen the light of day. The latter also contained first tasters of new Whitesnake material and results of Coverdale\/Aldrich writing partnership were exciting. \u201cReady To Rock,\u201d \u201cDog\u201d and \u201cIf You Want Me\u201d rocked harder than anything Whitesnake had done since immortal \u201c1987\u201d album and also featured killer hooks and awesome vocals by Coverdale. So expectations for a brand new WS studio disc were rising fast. <\/p>\n","protected":false},"author":3,"featured_media":797,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,588],"tags":[335,337,230,154,334],"class_list":["post-825","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-older-albums","category-reviews-steel-mill","tag-davidcoverdale","tag-goodtobebad","tag-olderalbums","tag-reviews-2","tag-whitesnake"],"yoast_head":"\nWHITESNAKE - GOOD TO BE BAD (SPV 2008) - K.K. 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