{"id":923,"date":"2014-11-01T16:51:45","date_gmt":"2014-11-01T16:51:45","guid":{"rendered":"http:\/\/kkdowning.net\/steelmill\/?post_type=albumreviews&p=923"},"modified":"2024-09-06T09:46:34","modified_gmt":"2024-09-06T09:46:34","slug":"king-diamond-the-puppet-master-massacre-2003","status":"publish","type":"post","link":"http:\/\/kkdowning.net\/steelmill\/king-diamond-the-puppet-master-massacre-2003\/","title":{"rendered":"KING DIAMOND – THE PUPPET MASTER (MASSACRE 2003)"},"content":{"rendered":"

[three_fourth]REVIEW BY VILLE KRANNILA \/ MAY 2008<\/strong><\/p>\n

Since 1985 and the demise of Mercyful Fate, King Diamond has released a long string of theatrical albums, of course many remember indisputable classics \u201cAbigail,\u201d \u201cThem\u201d and \u201cThe Eye\u201d 20 years back. But truth is the band continued making high quality records all the way through the difficult 1990\u2019s, even when Mercyful Fate reunited and released several albums at the same time. MF returned to obscurity after awesome \u201c9\u201d album, but King Diamond seems to have picked up the mantle again. During this decade, there have been four CD\u2019s so far (plus a double live album).<\/p>\n

Originally released five years ago, this album saw the band return to form after somewhat disappointing (for me personally) \u201cAbigail 2: The Revenge.\u201d The album before that one of course was the criminally underrated \u201cHouse Of God\u201d which remains this writer\u2019s favourite King Diamond album since the halcyon days of \u201cThe Eye\u201d.<\/p>\n

I had high hopes for \u201cThe Puppet Master\u201d and sure enough King with his cohorts did not disappoint. The story is set in Budapest 18th century, the locals are standing in line for a Christmas puppet show outside a theatre. They witness a puppet show with the stars looking unbelievably real. Later on a man searches for his lost lover and stumbles on Puppet Master\u2019s wife Emerencia stabbing the homeless people on the streets and carrying their bodies back to the cellar beneath the theatre.<\/p>\n

The man is caught and after some gruesome acts turned into one of the puppets in the monster show. More atrocities follow but let\u2019s leave it at that, it is more fun for the listener to pick up the little details while playing the songs. What can be said though, there is a certain sadness and melancholy nature in the tale that possibly brings something new to the King Diamond storytelling table. Besides the horrible aspect of it, there is also a touching love story beneath the monstrosity. The whole concept is very interesting indeed and makes you want to return to the album.<\/p>\n

After chillingly effective intro \u201cMidnight\u201d, the title track properly opens the game and a listener is first crabbed by pleasantly crisp and clear production and in your face guitar riffs, trademark KD sounds of guitarists Andy LaRoque and Mike Wead in full style. This number is a good demonstration of all best elements featured on this record; great guitar riffs infused with King\u2019s trademark operatic vocal style, horror story told in effective manner. \u201cMagic\u201d continues in similar manner, slightly faster pace and has King singing in smoother style.<\/p>\n

Other stand-outs include \u201cBlood To Walk.\u201d This one is really powerful, you can almost feel the needle injecting the helpless victim. King\u2019s double tracked vocals give away to a more mid-range delivery. Classic metal guitars behind a catchy chorus and later on before the second verse ensure this is one of the best moments on the CD. They follow this with \u201cDarkness\u201d; a mid-tempo grinder, with another excellent chorus King singing duet with Livia Zita \u2013 as on the next number \u201cSo Sad,\u201d which like the title implies is a haunting ballad.<\/p>\n

\u201cChristmas\u201d has parts of the old yuletide song \u201cLittle Drummer Boy\u201d in between grotesque stage story. After this \u201cLiving Dead\u201d concludes the album in almost despair-like nature, the outro just fades away like snow in the story is falling on the ground. Like on many King\u2019s stories, this one hardly has a happy ending.<\/p>\n

The production is not as heavy as on recent King albums but has more variety which fits the record\u2019s many different moods and melancholic atmosphere perfectly. Also the use of keyboards and female voice in selected parts enhance the overall picture and work well in carrying the story forward.<\/p>\n

LaRoque and Wead play with their usual finesse, delivering a classic styled lead solos on all tracks. Guitar riffs on \u201cThe Puppet Master\u201d and \u201cBlood To Walk\u201d are especially impressive. Bass player Hal Patino and drummer Matt Thompson complete the line-up and do a solid background work, there is nothing overdone or flashy. Just what the compositions require.<\/p>\n

The album also contains a bonus DVD, where King Diamond tells the story of \u201cThe Puppet Master.\u201d It is worth watching because he adds small details and anecdotes not heard on the album. Those are useful in putting the music and lyrics together.<\/p>\n

To sum it up, this along with \u201cHouse Of God\u201d remains a highlight of King\u2019s latter day material, and deserves a place in any serious metal fan\u2019s collection. Let\u2019s hope King\u2019s back eases up and they return to tour these shores soon.<\/p>\n

\"4k\"<\/a><\/p>\n

[\/three_fourth]<\/p>\n

[one_fourth_last]<\/p>\n

\"puppetmaster\"<\/a><\/p>\n

1. Midnight
\n2. The Puppet Master
\n3. Magic
\n4. Emerencia
\n5. Blue Eyes
\n6. The Ritual
\n7. No More Me
\n8. Blood To Walk
\n9. Darkness
\n10. So Sad
\n11. Christmas
\n12. Living Dead<\/p>\n

[\/one_fourth_last]<\/p>\n","protected":false},"excerpt":{"rendered":"

Since 1985 and the demise of Mercyful Fate, King Diamond has released a long string of theatrical albums, of course many remember indisputable classics \u201cAbigail,\u201d \u201cThem\u201d and \u201cThe Eye\u201d 20 years back. But truth is the band continued making high quality records all the way through the difficult 1990\u2019s, even when Mercyful Fate reunited and released several albums at the same time. MF returned to obscurity after awesome \u201c9\u201d album, but King Diamond seems to have picked up the mantle again. During this decade, there have been four CD\u2019s so far (plus a double live album). <\/p>\n","protected":false},"author":3,"featured_media":842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,588],"tags":[272,230,154,418],"class_list":["post-923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-older-albums","category-reviews-steel-mill","tag-kingdiamond","tag-olderalbums","tag-reviews-2","tag-thepuppetmaster"],"yoast_head":"\nKING DIAMOND - THE PUPPET MASTER (MASSACRE 2003) - K.K. 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