{"id":938,"date":"2014-11-02T12:49:01","date_gmt":"2014-11-02T12:49:01","guid":{"rendered":"http:\/\/kkdowning.net\/steelmill\/?post_type=albumreviews&#038;p=938"},"modified":"2024-09-06T09:46:34","modified_gmt":"2024-09-06T09:46:34","slug":"mcauley-schenker-group-msg-impact-1991","status":"publish","type":"post","link":"http:\/\/kkdowning.net\/steelmill\/mcauley-schenker-group-msg-impact-1991\/","title":{"rendered":"MCAULEY SCHENKER GROUP &#8211; MSG (IMPACT 1991)"},"content":{"rendered":"<p>[three_fourth]<strong>REVIEW BY VILLE KRANNILA \/ MAY 2007<\/strong><\/p>\n<p>It is time to take a trip of 16 years back to the past when McAuley Schenker Group\u2019s last self-titled album was unleashed to the world. After somewhat disappointing \u201cRock Will Never Die\u201d album in 1984 Michael Schenker hooked up with former Grand Prix singer Robin McAuley. Their first two ventures \u201cPerfect Timing\u201d and \u201cSave Yourself\u201d had both proven this was a force to reckoned with, but it was their third self titled collaboration that really brought the house down.<\/p>\n<p>The band assembled in legendary Los Angeles Rumbo Recorders studio recording under Kevin Beamish\u2019s watchful eye. Schenker had recruited some class acts to play with him. James Kottak (Warrant, Scorpions) joined in on drums while formed Dokken-bassist Jeff Pilson took over the four-string position. In addition Jesse Harms (Sammy Hagar, REO Speedwagon) supplied keyboards so the talent present was not in question.<\/p>\n<p>Often talent itself does not guarantee a classic album, but in this case there was a renewed sense of enthusiasm on display right from the excellent opener \u201cEve.\u201d It begins with brilliant solo by the guitar maestro himself and few seconds later McAuley joins in with powerful style still developed from their last effort. Chorus contains catchy hook and Schenker shows off more during the beginning of each verse, Beamish\u2019s production really capturing the best possible sound for the mad axe man.<\/p>\n<p>The second song is even more impressing &#8211; \u201cParadise\u201d and its great melody are a perfect example of Schenker\u2019s exceptional talent, his guitar seems to literally sing in between the verses and again we get a chorus worth dying for.<\/p>\n<p>\u201cWhen I\u2019m Gone\u201d and \u201cWe Believe In Love\u201d are commercial tunes, yet convincing enough to make you care for them. And so on it goes. The lyrics contain most of rock\u2019s clich\u00e9s from sex, love and heartbreak to \u201cI gotta keep rockin\u2019 just to make a dime\u201d \u2013 but seldom done this well.<\/p>\n<p>And a special mention has to go to \u201cThis Night Is Gonna Last Forever,\u201d which is interesting\u2013 a story about a groupie and her one shot to fame. Let\u2019s face it; there are no bad songs on this album.<\/p>\n<p>Kottak, Pilson and Harms all handle their instruments with subtlety necessary not to eclipse the main players, if you want to pick out something it is the drum sound that to my ears could have benefited from slight increasing but really, this is a minor thing.<\/p>\n<p>Robin McAuley delivers fantastic performance on lead vocals, his smooth yet gritty voice fitting perfectly to this type of melodic material, feeling right at home within the framework of both hard rockers and ballads. It is a shame he virtually disappeared from the scene after his tenure with MSG ended. However, recently he\u2019s been more active again releasing a solo album and joining melodic rock legends Survivor taking over the lead singer position from summer 2006 onwards.<\/p>\n<p>And then there\u2019s Michael Schenker, his Flying V oozing out brilliant solo one after another, guitar playing is nothing short of sensational here. He rules the plate with tasteful leads augmented by strong riffs and harmonies. The acoustic work evidenced in \u201cNever Ending Nightmare\u201d is also worth point out, and as McAuley sings \u201cNightmare, lying here in the dark\u201d the emotion felt is incredible. And when Schenker cuts in with some ferocious lead work from 5:10 on, the album concludes itself majestically.<\/p>\n<p>Sadly this was to be the last McAuley Schenker Group studio album, there would be one more project: an unplugged CD as a farewell in 1992 before Schenker\u2019s inevitable reunion with UFO comrades took place. Schenker returned with MSG few years later but results since then have been mixed at best. Most of the material from McAuley\u2019s era was also ignored in live shows, with the occasional exception of \u201cNever Ending Nightmare.\u201d<\/p>\n<p>While most refer to guitarist\u2019s groundbreaking work with UFO or his two first MSG records from the early 1980\u2019s, many forget that he was creating high quality music right up to the next decade. And of course he would make at least one more classic album with UFO\u2019s \u201cWalk On Water.\u201d But that\u2019s a different story and possibly a different review.<\/p>\n<p>Make no mistake: \u201cMSG\u201d is one of the finest hard rock albums ever released and a crowning moment in Michael Schenker\u2019s later day career. Phenomenal and then some!<\/p>\n<p><a href=\"http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/klassik.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-909\" src=\"http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/klassik.gif\" alt=\"klassik\" width=\"199\" height=\"142\" \/><\/a><\/p>\n<p>[\/three_fourth]<\/p>\n<p>[one_fourth_last]<\/p>\n<p><a href=\"http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/msg.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-849\" src=\"http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/msg.jpg\" alt=\"msg\" width=\"200\" height=\"200\" srcset=\"http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/msg.jpg 200w, http:\/\/kkdowning.net\/steelmill\/wp-content\/uploads\/2014\/10\/msg-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>1.Eve<br \/>\n2. Paradise<br \/>\n3. When I&#8217;m Gone<br \/>\n4. This Broken Heart<br \/>\n5. We Believe In Love<br \/>\n6. Crazy<br \/>\n7. Invincible<br \/>\n8. What Happens To Me<br \/>\n9. Lonely Nights<br \/>\n10. This Night Is Gonna Last Forever<br \/>\n11. Never Ending Nightmare<\/p>\n<p>[\/one_fourth_last]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is time to take a trip of 16 years back to the past when McAuley Schenker Group\u2019s last self-titled album was unleashed to the world. After somewhat disappointing \u201cRock Will Never Die\u201d album in 1984 Michael Schenker hooked up with former Grand Prix singer Robin McAuley. Their first two ventures \u201cPerfect Timing\u201d and \u201cSave Yourself\u201d had both proven this was a force to reckoned with, but it was their third self titled collaboration that really brought the house down. <\/p>\n","protected":false},"author":3,"featured_media":849,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,588],"tags":[331,282,230,154,397],"class_list":["post-938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-older-albums","category-reviews-steel-mill","tag-michaelschenker","tag-msg","tag-olderalbums","tag-reviews-2","tag-robinmcauley"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MCAULEY SCHENKER GROUP - MSG (IMPACT 1991) - K.K. 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