{"id":801,"date":"2014-10-17T18:36:24","date_gmt":"2014-10-17T18:36:24","guid":{"rendered":"http:\/\/kkdowning.net\/steelmill\/?post_type=albumreviews&p=801"},"modified":"2024-09-06T09:46:35","modified_gmt":"2024-09-06T09:46:35","slug":"savage-messiah-insurrection-rising-candlelight-2009","status":"publish","type":"post","link":"https:\/\/kkdowning.net\/steelmill\/savage-messiah-insurrection-rising-candlelight-2009\/","title":{"rendered":"SAVAGE MESSIAH – INSURRECTION RISING (CANDLELIGHT 2009)"},"content":{"rendered":"

[three_fourth]REVIEW BY VILLE KRANNILA \/ OCTOBER 2009<\/strong><\/p>\n

Hailing from London, England, Savage Messiah have just unleashed their second album \u201cInsurrection Rising.\u201d Their debut \u201cSpitting Venom\u201d was released roughly two years ago, and it was an enjoyable enough product. However, even for the band themselves their full potential wasn\u2019t yet realised with that disc. A lot has changed then, establishing a new line-up, a new record deal with Candlelight Records and acquiring a top class producer.<\/p>\n

\u201cInsurrection Rising\u201d is produced by Chris Tsangarides, who is well known for his work on several different metal artists including Judas Priest, Yngwie Malmsteen and Thin Lizzy. His name means quality on the sound end of things and \u201cInsurrection Rising\u201d is no exception. But we\u2019ll get to that later. Let\u2019s examine the most important factor first: the music.<\/p>\n

From the opening title track until the closing \u201cHe Who Laughs Last\u201d this record means business. Title song is a great opener, with definite Testament vibe of late, riffing is tight and it contains a long and effective guitar solo reminiscent of Judas Priest\u2019s \u201cPainkiller.\u201d \u201cCorruption X\u201d follows and is well enough executed tune, but in between two absolutely great songs gets somewhat buried under.<\/p>\n

Third track \u201cIn Absence Of Liberty\u201d begins with smooth slow guitar picking, somewhat echoing Iron Maiden\u2019s early work with Paul D\u2019Anno. The song soon switches gear and introduces a huge guitar riff. In my opinion, this is the highlight of the record, a 6-minute number with different moods, tempos and scopes that perfectly alternate between heavier and more melodic moments. The solo section is impressive as well, beginning slowly like the songs itself it picks up speed and returns to heavy guitar riff. Classic stuff!<\/p>\n

\u201cEnemy Image (Dehumanization\u201d enters with a fast paced riff and double bass drum work, think of Testament with a good dose of original touch in melodies and backing vocal lines and you will get the picture. The whole scope works nicely here.<\/p>\n

\u201cSilent Empire\u201d is another personal favourite. Catchy melody combined with ripping guitar solos and great delivery from vocalist\/guitarist Dave Silver. Take a notice how tempo slows down during the solo and then picks up after it with great melodic NWOBHM- echoing moment before returning to thrash riffs. Straight after this \u201cThe Nihilist Machine\u201d also rams the point home with quick riffs and fast rhythms. The call to arms chorus \u201cThe Nihilist \u2013 Machine Is Here \u2013 Burn!\u201d is guaranteed to keep the crowd rocking. Especially liked the lyric and the part \u201cInstitutions commence and the shackles remain.\u201d<\/p>\n

Like I said before, lining up some of the work from some of the classic metal and thrash bands gives one a good picture how \u201cInsurrection Rising\u201d stands up. Testament and maybe Megadeth were the most obvious reference points and I definitely picked up some vintage Iron Maiden and Priest circa \u201cPainkiller\u201d influence. But most importantly the sound has its own stamp, compared to Testament for example there is definitely more variety involved which is a great thing in this writer\u2019s book.<\/p>\n

Dave Silver\u2019s vocals have a grunting edge but he does sing with melody which again helps in underscoring the different elements and moments within the songs. Improvement from \u201cSpitting Venom\u201d is obvious on all fronts. Guitar sound is heavy and massive, the drum work nothing flashy but support the core of the songs and same goes with Sascha Gron\u2019s bass playing. Drums build an excellent backbone with plenty of double bass drum work to take the songs up to another level but then bring them back down to more straightforward base. Tsangarides has definitely succeeded in creating a good balance within the instruments, the record is also loud, no need to turn up to the max while listening to this one.<\/p>\n

According to Dave Silver the band has made some serious improvement from their debut and want to cover a wide spectrum of sounds, while still remaining within the thrash genre. It is this variation which in my opinion makes this record interesting. For those who enjoy it, there are plenty of fast riffs and furious thrashing and for those \u2013 myself included \u2013 who also expect more subtle moments with different colours, get plenty of that too.<\/p>\n

To sum it up; this is one of 2009\u2019s most positive new efforts and you better keep a close eye on Savage Messiah in the future.<\/p>\n

\"4k\"<\/a><\/p>\n

[\/three_fourth]<\/p>\n

[one_fourth_last]<\/p>\n

\"savagemessiah\"<\/a><\/p>\n

1. Insurrection Rising
\n2. Corruption X
\n3. In Absence Of Liberty
\n4. The Serpent Tongue Of Divinity
\n5. Vigil Of The Navigator
\n6. Enemy Image (Dehumanization)
\n7. Silent Empire
\n8. The Nihilist Machine
\n9. He Who Laughs Last<\/p>\n

[\/one_fourth_last]<\/p>\n","protected":false},"excerpt":{"rendered":"

Hailing from London, England, Savage Messiah have just unleashed their second album \u201cInsurrection Rising.\u201d Their debut \u201cSpitting Venom\u201d was released roughly two years ago, and it was an enjoyable enough product. However, even for the band themselves their full potential wasn\u2019t yet realised with that disc. A lot has changed then, establishing a new line-up, a new record deal with Candlelight Records and acquiring a top class producer. <\/p>\n","protected":false},"author":3,"featured_media":786,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,588],"tags":[462,230,154,461],"class_list":["post-801","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-older-albums","category-reviews-steel-mill","tag-insurrectionrising","tag-olderalbums","tag-reviews-2","tag-savagemessiah"],"yoast_head":"\nSAVAGE MESSIAH - INSURRECTION RISING (CANDLELIGHT 2009) - K.K. 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